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Jeffrey Darling is regarded as one of Australia’s best commercial directors.  As a director/DP, his aesthetic crosses between many genres, constantly evolving and shifting in the ever-changing film landscape.  

Jeffrey’s work for Jaguar and Boeing are in the permanent collection of the Museum of Modern Art, New York, and his contribution to excellence in Cinematography was recognised with three honorary Kodak awards.

Jeffrey continues to work on major worldwide campaigns for prestigious clients such as Louis Vuitton Moet Hennessy (LVMH), GMC, RAM, Qantas, Diners Club, Pernod Ricard, Maybelline, Jaguar, Coca-Cola, and BMW.

 

@jeffrey_darling

whatever:Jeffrey

31.08.17

vivo x stephen curry

vivo x stephen curry

continued

31.08.17

22.03.17

an interview with pierre dinand

Ahead of a retrospective at Liberty's in London, Pierre Dinand talks to director Jeffrey Darling about his journey of design through fragrance.

 

continued

22.03.17

06.03.17

archive - australian ladies masters 'golfinia' 1997

This was an absurdist piece to awaken an audience by bringing some controversial attention to ladies golf and the Australian Ladies Masters. We based the idea around a cameo male golf tee, somewhat the smooth celebrity, and the dominatrix female golfer who innocently sees laying before her yet another male to be teed from as the norm be played from. It became a story for the front page of the Melbourne Age.

We used cardboard cutouts for some of the viewing audience as well played into secondary characters that would either relish in or demonise the act of woman golf.

continued

06.03.17

18.10.16

huawei - don't snap. shoot.

Jeffrey Darling travels around the world to shoot the latest Huawei x Leica campaign, capturing the iconoclasts and creative spirits who push our world forward. 

continued

18.10.16

22.08.16

colorbond australia

It was a very grand and ambitious project from the start. Basically, how to bring a profile to Colorbond of where it is after 50 years.  

continued

22.08.16

21.06.16

archive - 20th anniversary of 'page 73' 1996

You're not looking for the ocean

You're looking for love

That's all we ever look for. 

 

continued

21.06.16

10.06.16

archive - shwarzkopf 'dedicated to' 1993

Filmed in Paris under a classic theme of dedication to hairstyling for Shwarzkopf, it drew on classical black and white imagery and metaphor, finding threads of melancholy and intimacy.

continued

10.06.16

22.05.16

the heart of peace

"The goats will walk home, their udders full, and oxen will have no fear of lions" 

Eclogue IV: THe Golden Age, Virgil 44BC

continued

22.05.16
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